I have chosen to describe psychological states of social impact and ideology through abstract objects. They come from living experiences including reality, human remembrance and imagination. These moments reflect the relationship of space and time, the transformation of substances, even the smells. I work with intuitive and sensual marks which are collected from my daily life. Revealing the paint trace and erasing mark deliberately is my intention to emphasize the processes involved in artistic production. Moreover, these various procedures of application and cancellation become an intersection where my life experience and idea about painting collide, creating an ongoing dialogue between work and myself. Leaving the space of imagination allows viewers to freely interpret the artwork and opens a new possibility of thinking.
創作對我來說是對自己思考的反饋，作品通過抽象表現的手法詮釋自身經驗，關注社會和諧與亂象的矛盾、精神層面的慾望、時空的思考，直覺和感性的記號是從生活經驗而來。藉由大自然的形象、詩歌、哲學、潛意識夢境來討論生命、感知的更迭。以直觀的方式與畫布對話，有意識地留下塗抹的痕跡，強調藝術生產中所涉及的過程；描述時間和空間的維度、矛盾情緒的拉扯，形塑感知記憶的符號。
作品畫面刻意留下想像的空間，透過觀眾自由的詮釋來達到與作品的連結，開啟另一種新的思維方式。