I describe psychological states shaped by social impact and ideology through abstract forms and objects. These emerge from lived experience, encompassing reality, human memory, and imagination. My work reflects transient moments that reveal relationships between space and time, the transformation of material substances, and even sensory traces such as smell. These elements are not represented literally, but translated into visual sensations that suggest presence, absence, and emotional residue.

 

I work through intuitive and sensual marks gathered from my daily life. These marks function as records of internal and external encounters, carrying personal and collective meaning. By deliberately revealing paint traces while also erasing or obscuring them, I emphasize the processes inherent in artistic production. The act of making and unmaking becomes essential to the work, highlighting uncertainty, vulnerability, and change. Application and cancellation are not opposites but coexist as equal forces within the painting.

 

These procedures form an intersection where lived experience and my evolving ideas about painting collide. The surface becomes a site of negotiation between control and spontaneity, memory and forgetting. Through this ongoing dialogue, the work continuously redefines my relationship to myself and to the world around me.

 

By leaving space open to imagination rather than fixed narratives, I invite viewers to engage freely with the work. This openness allows multiple interpretations to emerge and encourages new ways of thinking, feeling, and reflecting on psychological and social realities.